Following

Welcome

Be the first to shop our top brands, designer exclusives and curated finds.

Get the OKL Daily Brief

Be the first to shop our top brands, designer exclusives and curated finds.

Login with Facebook

By clicking “Continue”, you agree to our Terms of Use and Privacy Policy.

Login with Facebook By clicking “Go”, you agree to our Terms of Use and Privacy Policy

Save what you love.

Sign up to save your favorite products and
access them anytime, anyplace.

Login with Facebook

By clicking “Continue”, you agree to our Terms of Use and Privacy Policy.

Login with Facebook By clicking “Go”, you agree to our Terms of Use and Privacy Policy

Stay in the loop!

Be the first to know when more new items arrive at One Kings Lane.

Login with Facebook

By clicking “Continue”, you agree to our Terms of Use and Privacy Policy.

Login with Facebook By clicking “Go”, you agree to our Terms of Use and Privacy Policy

Back

One more detail

And you can start shopping!

Back

Welcome Back

Before we proceed, you must verify your email address and create a password. Check your inbox and click-through to finish your registration.

Back

Forgot Your Password?

Please enter your email address below and we will send you an email to confirm your password.

Forgot Your Password?

Thank you. If a matching email exists we will send you an email in a few minutes with instructions on how to reset your password.

Don't forget to check your spam folder if you cannot find the email. For further assistance please contact us at customercare@onekingslane.com .

Okay
Click anywhere on the image to zoom. Click and drag the image to pan.
Zoom
This item has been added to your cart.

Joan Miró, Untitled Cahiers D'Art 1934

This item is no longer available.
Shop Today’s Events
Joan Miró, Untitled Cahiers D'Art 1934
Alternative photo #1 of product
Alternative photo #2 of product
Alternative photo #3 of product

Shipping & Returns

Product Information

Dimensions:
12 1/8" x 9"
Artist:
Joan Miró
Please note:
Comes with a certificate of authenticity.
Condition:
In excellent condition, with strong, fresh colors.
Materials:
original pochoir on wove paper
Care:
Do not hang in direct sunlight.

Shipping & Returns

Why We Love This

This is an original pochoir in two colors (black, blue) on wove paper. It is an impression of the definitive state from the periodical edition (apart from the separate hand-signed and numbered edition of 48). One of two pochoirs published in the art review Cahiers d'Art, Nos. 1-4, Paris. 1934, to illustrate the text “L'oeuvre de Joan Miró de 1917 a 1933”, by Christian Zervos, Maurice Raynal, Robert Desnos, Benjamin Peret, Ernest Hemingway, Rebe Gaffe, Raynar Hoppe, George Antheil, Will Grohmann, Vincente Huidobro, Pierre Guegen, J.J.Sweeney, Leonide Massine, Herbert Read, J.V.Foix, Jacques Viot and Anatole Jakovski. Published by Editions Cahiers d'Art, Paris; printed by Imprimerie Crété, Corbeil. Catalogue raisonné reference: Dupin 15; Cramer III.B. Along with a number of other artists, such as Picasso and Gleizes, Miró became interested in the medium of the stencil print in the early 1930s. At this period he was concentrating on simplified highly anthropomorphic “dream” forms. The flowing shape made possible with the stencil, together with the smooth flat tones of the ink, were a perfect complement to this imagery. He worked very closely with the stencil cutter for the two pochoirs (stencil prints) that he made for Cahiers d'Art in 1934, and for the one he made in Spain for D'Aci i D'Alla in the same year. They are works of particular interest because no other color prints by Miró exist from this major period at the height of his Surrealism.

Why We Love This

This is an original pochoir in two colors (black, blue) on wove paper. It is an impression of the definitive state from the periodical edition (apart from the separate hand-signed and numbered edition of 48). One of two pochoirs published in the art review Cahiers d'Art, Nos. 1-4, Paris. 1934, to illustrate the text “L'oeuvre de Joan Miró de 1917 a 1933”, by Christian Zervos, Maurice Raynal, Robert Desnos, Benjamin Peret, Ernest Hemingway, Rebe Gaffe, Raynar Hoppe, George Antheil, Will Grohmann, Vincente Huidobro, Pierre Guegen, J.J.Sweeney, Leonide Massine, Herbert Read, J.V.Foix, Jacques Viot and Anatole Jakovski. Published by Editions Cahiers d'Art, Paris; printed by Imprimerie Crété, Corbeil. Catalogue raisonné reference: Dupin 15; Cramer III.B. Along with a number of other artists, such as Picasso and Gleizes, Miró became interested in the medium of the stencil print in the early 1930s. At this period he was concentrating on simplified highly anthropomorphic “dream” forms. The flowing shape made possible with the stencil, together with the smooth flat tones of the ink, were a perfect complement to this imagery. He worked very closely with the stencil cutter for the two pochoirs (stencil prints) that he made for Cahiers d'Art in 1934, and for the one he made in Spain for D'Aci i D'Alla in the same year. They are works of particular interest because no other color prints by Miró exist from this major period at the height of his Surrealism.

About the Brand

This work is part of a carefully curated selection by noted fine art expert Jennifer McCloskey, who was formerly affiliated with Doyle Gallery in New York and is now based in San Francisco.

You May Also Like