Pink Roses and a Quimper Plate, 1913
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Pink Roses and a Quimper Plate, 1913

$18,509.00
Est. Arrival: May 24 - Jun 03
Qty
Why we love this
An early 20th century oil still-life of pink roses shown loosely arranged in a cobalt glass vase, set beside two Breton tin-glazed platters resting on an azure-turquoise tablecloth. Signed 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1913. Nielsen's first exhibition was at the Salon d’Automne of 1912. During his first Paris period, from which the present work dates, this early Danish Modernist began to incorporate distinct, yet subtle, Cubist elements into his Post-Impressionist style.
Color: turquoise/pink/multi
Condition: Very Good; minor restoration, replaced stretcher; unframed
Dimensions: 15" L x 1" W x 22" H
Era: Vintage: 1910-1950
Made Of: oil/canvas
SKU: 77606882
ESTIMATED ARRIVAL: May 24 - Jun 03
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RETURNS: This item is non-returnable. See our Return Policy for details.
A 1986 graduate of Christie's Fine Arts in London, Anthony McNaught headed the fine arts department of a West Coast auction house for three years before opening his own gallery in 1989. He selects each work with care because he believes that fine paintings become heirlooms, enriched with our shared memories. In his own words, "Many things come and go. Art abides."
Why we love this
An early 20th century oil still-life of pink roses shown loosely arranged in a cobalt glass vase, set beside two Breton tin-glazed platters resting on an azure-turquoise tablecloth. Signed 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1913. Nielsen's first exhibition was at the Salon d’Automne of 1912. During his first Paris period, from which the present work dates, this early Danish Modernist began to incorporate distinct, yet subtle, Cubist elements into his Post-Impressionist style.
About the Seller
A 1986 graduate of Christie's Fine Arts in London, Anthony McNaught headed the fine arts department of a West Coast auction house for three years before opening his own gallery in 1989. He selects each work with care because he believes that fine paintings become heirlooms, enriched with our shared memories. In his own words, "Many things come and go. Art abides."