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An original lithograph printed in colors on wove paper bearing a portion of the Arches block letter watermark.
This is a superb impression of the definitive state from the edition of 250 on this paper (there were 20 additional impressions printed on Japan paper, and 15 additional hors commerce impressions on Arches wove paper, for an overall edition of 285). Plate III of 24 color lithographs by the artist illustrating The Story of Exodus. Published by Léon Amiel, Paris-New York, 1966; printed by Atelier Fernand Mourlot, Paris.Mourlot 446; Cramer 64 III. Catalogue reference: Mourlot 446; Cramer 64 III.
A scene taken from Exodus 3:2-8, which reads: "And the angel of the Lord appeared to him in a flame of fire out of the midst of a bush: and he looked, and, behold, the bush burned with fire, and the bush was not consumed. And Moses said, “I will now turn aside, and see this great sight, why the bush is not burnt.” And when the Lord saw that he turned aside to see, God called to him out of the midst of he bush, and said, “Moses, Moses.” And he said, “Here I am.” And he said, “Draw not nigh hither: put off thy shoes from thy feet, for the place whereon thou standest is holy ground.” Moreover he said, “I am the God of thy father, the God of Abraham, the God of Isaac, and the God of Jacob.” And Moses hid his face; for he was afraid to look upon God. And the Lord said, “I have surely seen the affliction of my people which are in Egypt, and have heard their cry by reason of their taskmasters; for I know their sorrows; and I am come down to deliver them out of the hand of the Egyptians, and to bring them up out of that land unto a good land and a large, unto a land flowing with milk and honey . . ."
This work is part of a carefully curated selection by noted fine art expert Jennifer McCloskey, who was formerly affiliated with Doyle Gallery in New York and is now based in San Francisco. If you have questions about any of the works in this selection, please send an email to email@example.com.