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Picasso, Portrait De Dora Maar Chignon

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Picasso, Portrait De Dora Maar Chignon
Picasso, Portrait De Dora Maar Chignon
Picasso, Portrait De Dora Maar Chignon

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Product Information

Artist:

Picasso, Pablo
(Spanish, 1881-1973)

Materials:

original drypoint on Verge d’Auvergne laid paper

Frame details:

acid-free silk matting/gold leaf frame

Dimensions:

platemark, 13 5/8" x 9 3/4";
sheet size, 20 3/16" x 15 7/8"

Framed dimensions:

24 3/4" x 29"

Care:

Do not hang in direct sunlight.

Please note:

Comes with a certificate of authenticity.

Why We Love This

An original drypoint printed in black ink on Verge d’Auvergne laid paper bearing the “Richard de Bas” watermark. Signed with the artist’s estate stamp signature in the margin lower right. This is a richly printed impression of Geiser’s only state, from the edition of 50 printed after the steelfacing of the plate, numbered “38/50” in pencil in the margin lower left (there were 15 additional artist’s proofs numbered in Roman numerals, and three unsigned and unnumbered proofs in this edition, apart from the 57 unsigned and unnumbered impressions printed by Lacouriere in 1942 also after steelfacing, and apart from 4 or 5 impressions printed prior to steelfacing). One of 45 plates from the Caisse a Remourds suite, published by the Galerie Louise Leiris, Paris, 1981; printed by Frelaut, Paris, 1961. Catalogue reference: Bloch 291; Geiser 611.C.b.1; Picasso Project 291

Why We Love This

An original drypoint printed in black ink on Verge d’Auvergne laid paper bearing the “Richard de Bas” watermark. Signed with the artist’s estate stamp signature in the margin lower right. This is a richly printed impression of Geiser’s only state, from the edition of 50 printed after the steelfacing of the plate, numbered “38/50” in pencil in the margin lower left (there were 15 additional artist’s proofs numbered in Roman numerals, and three unsigned and unnumbered proofs in this edition, apart from the 57 unsigned and unnumbered impressions printed by Lacouriere in 1942 also after steelfacing, and apart from 4 or 5 impressions printed prior to steelfacing). One of 45 plates from the Caisse a Remourds suite, published by the Galerie Louise Leiris, Paris, 1981; printed by Frelaut, Paris, 1961. Catalogue reference: Bloch 291; Geiser 611.C.b.1; Picasso Project 291

About the Brand

This work is part of a carefully curated selection by noted fine art expert Jennifer McCloskey, who was formerly affiliated with Doyle Gallery in New York and is now based in San Francisco. If you have questions about any of the works in this selection, please send an email to asktheexpert@onekingslane.com.