This is an original woodcut. It is typographically signed with the artists monogram within the image lower center. This work is a superb impression of the definitive state from the edition of 1,211 (artist's edition of 36, deluxe edition of 75, standard edition of 1,100) published by Julius Meier-Graefe, Berlin, for the art review Pan, July 31, 1898, vol. IV, no. II, with the publishers letterpress credit line PETER BEHRENS, SECHSFARBIGER ORIGINALHOLZSCHNITT PAN IV2 at the lower left edge; printed by Dr. C. Wolf Sohn, Munich.
Catalogue raisonn reference: Shn HDO 52902-6.
In excellent condition, with strong, fresh colors, printed on a full sheet.
Born in Hamburg in 1868, Peter Behrens attended the Kunstgewerbeschule in Hamburg 1886-1889, before studying at the Kunstschule in Karlsruhe and Dsseldorf Art Academy. In 1890 he went to Munich, where he worked as a painter and graphic artist and joined the Jugendstil movement, becoming a founding member of the Munich Secession in 1893. Together with Hermann Obrist, August Endell, Bruno Paul, Richard Riemerschmid, and Bernhard Pankok, Peter Behrens founded the Vereinigte Werksttten fr Kunst und Handwerk in Munich. Peter Behrens designed woodcuts, colored illustrations, designs for book-bindings, and crafts objects. In 1898 Peter Behrens collaborated on designing Pan, the Berlin journal for art and literature, and also designed his first furniture. Behrens built his first house on the Mathildenhhe, the artists' colony founded in Darmstadt in 1899; designed as a total work of art, Haus Behrens, Peter Behrens' studio and dwelling during his Mathildenhhe period (until 1903), was a sensation.
In 1906 Peter Behrens was hired by Emil Rathenau, director of AEG (Allgemeine Elektricitts-Gesellschaft), as an artistic consultant responsible for a wide range of tasks. In 1908-09 Behrens built the AEG Turbine Hall in Berlin, a factory building of concrete, steel and glass. The unified design throughout of salerooms, catalogues, price lists, etc. marked the dawning of uniform appearance as representative of corporate identity. Peter Behrens also designed household electrical appliances. Formally standardizing their parts, he made them interchangeable, a step that rationalized production. Peter Behrens joined Peter Bruckmann, Josef Maria Olbrich, Fritz Schumacher, Richard Riemerschmid, and Hermann Muthesius in founding the Deutscher Werkbund in October 1907. In 1907 Peter Behrens established an architectural and design practice in Berlin. Walter Gropius worked there until 1910, Ludwig Mies van der Rohe 1908-11, and Le Corbusier 1910-11. The practice executed numerous architectural commissions, including the German embassy in St. Petersburg (1911-12) and the IG Farben Hchst headquarters in Frankfurt (1920-25), which showed the influence of Expressionism. New Ways (1926), a house in Northampton, England, is regarded as a pioneering example of the International Modern style. Throughout his career Peter Behrens also taught; from 1922-36 he was head of the architecture department at the Viennese Akademie der Bildenden Knste.
Until his death he was head of the architecture department at the Preuische Akademie der Knste in Berlin. Peter Behrens is regarded as one of the most important German designers of the 20th century; he produced seminal works early in the century, which would exert a paramount influence on generations to come in all the various fields of design. Peter Behrens can be said to have single-handedly invented modern objective industrial architecture and modern industrial design.
This work is part of a carefully curated selection by noted fine art expert Jennifer McCloskey, who was formerly affiliated with Doyle Gallery in New York and is now based in San Francisco. If you have questions about any of the works in this selection, please send an email to firstname.lastname@example.org.