Exclusive to One Kings Lane: A time-lapse technique gives this seascape diptych a dreamy tranquility, creating the appearance of mist floating on the water's surface. Each piece is displayed under glass in a white wood frame and arrives ready to hang.

Exclusive to One Kings Lane: This image of a fully stretched diver takes on an abstract, painterly quality thanks to the water's rippling surface and a slightly hazy focus. Displayed under glass in a white wood frame, this piece arrives ready to hang.

Exclusive to One Kings Lane: These four pieces come together to capture the architectural splendor and detail of the Temple Church in London, originally built in the late 12th century for and by the Knights Templar as their English headquarters. Each piece in this set is displayed under glass in a silver wood frame and arrives ready to hang.

Exclusive to One Kings Lane: This image captures a young woman gliding across a pool, casting small ripples behind her as she goes. Displayed under glass in a white wood frame, this piece arrives ready to hang.

Exclusive to One Kings Lane: Evoking a majestic tranquility, this closeup image of a wild zebra captures its splendid coat and thoughtful eye. Displayed under glass in a white wood frame, this piece arrives ready to hang.

This large-scale aerial image from Thom Filicia is printed on matte paper and displayed in a matte white frame. Arrives ready to hang.

Signed by Gray Malin, this aerial triptych is part of his "À la Montagne" series and shows off the snow-covered mountains of Aspen, dotted with trees and skiers. Speaking of this series, which was shot from doorless helicopters, Malin says, “The majestic surroundings create a beautiful canvas for skiers, chair lifts, and other objects to appear as a pattern below. This series is a visual celebration of natural form, color, repetition--and winter joy.”

Signed by Gray Malin, this aerial image comes from his "À la Plage, À la Piscine" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "people and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss."

Signed by Gray Malin, this aerial image comes from his "À la Plage, À la Piscine" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "people and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss."

Signed by Gray Malin, this image of urban leisure comes from his "Au Parc" series. Inspired by an afternoon picnic in Central Park, this series captures the stunning springtime beauty of “a day in the park” from high above many of the most famous parks in London, Barcelona, New York City, and Chicago.

Signed by Gray Malin, this aerial triptych comes from his "À la Plage, À la Piscine" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "people and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss."

Signed by Gray malin, this playful image comes from his ongoing "Up and Away" series. Captured all over the world during Malin's extensive travels, this typology series uses Mylar balloons--a universal symbol of happiness and celebration--in unnatural environments to create a sense of humor and joy through words and images.

Signed by Gray Malin, this image from his "Aqua Glam" series captures synchronized swimmers wearing high heels, with their feet jutting up from the water in the middle of a routine. This series was inspired by the elegance and glamour of synchronized swimming in the early 20th century. Using the Aqualillies as his muse, Malin photographed at the iconic 1920s Annenberg pool. Synchronized swimming combines the escape of a day at the pool and the vintage glamour of Old Hollywood--two of Malin's favorite subjects.

Signed by Gray Malin, this aerial image is inspired by the Mediterranean glamour of the 1960s and was shot along the coast of Spain as part of Malin's "Poolside" series. This neon-hued revamp shot atop the pristine waters of a resort pool puts a modern spin on classic lifesavers while evoking the unique splendor of living the classic 1960s jet-set lifestyle.

Signed by Gray Malin, this aerial image comes from his "À la Plage, À la Piscine" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "people and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss."

Signed by Gray Malin, this image is part of his "Prada Marfa" series. In Gray Malin's own words, "Marfa, a famous arts town located in West Texas, is home to many intriguing artistic endeavors; most notably a Prada store art installation. Filled with a 2005 collection of Prada purses and shoes, the store is sealed shut and sits freestanding on the side of the open highway. Using mules, cowboys, models, and my imagination I was able to bring this unique series to life."

Signed by Gray Malin, this aerial image comes from his "À la Plage, À la Piscine" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "people and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss."

Signed by Gray Malin, this aerial image comes from his "À la Plage, À la Piscine" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "people and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss."

Signed by Gray Malin, this aerial image is inspired by the Mediterranean glamour of the 1960s and was shot along the coast of Spain as part of Malin's "Poolside" series. This neon-hued revamp shot atop the pristine waters of a resort pool puts a modern spin on classic lifesavers while evoking the unique splendor of living the classic 1960s jet-set lifestyle.

Signed by Gray Malin, this image is part of his "Prada Marfa" series. In Gray Malin's own words, "Marfa, a famous arts town located in West Texas, is home to many intriguing artistic endeavors; most notably a Prada store art installation. Filled with a 2005 collection of Prada purses and shoes, the store is sealed shut and sits freestanding on the side of the open highway. Using mules, cowboys, models, and my imagination I was able to bring this unique series to life."

Signed by Gray Malin, this aerial image comes from his "À la Plage, À la Piscine" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "people and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss."

Signed by Gray Malin, this aerial image comes from his "À la Plage, À la Piscine" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "people and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss."

Signed by Gray Malin, this image from his "Aqua Glam" series captures synchronized swimmers having a ball. This series was inspired by the elegance and glamour of synchronized swimming in the early 20th century. Using the Aqualillies as his muse, Malin photographed at the iconic 1920s Annenberg pool. Synchronized swimming combines the escape of a day at the pool and the vintage glamour of Old Hollywood--two of Malin's favorite subjects.

Signed by Gray malin, this playful image comes from his ongoing "Up and Away" series. Captured all over the world during Malin's extensive travels, this typology series uses Mylar balloons--a universal symbol of happiness and celebration--in unnatural environments to create a sense of humor and joy through words and images.

Signed by Gray Malin, this black-and-white image is part of his "Prada Marfa" series. In Gray Malin's own words, "Marfa, a famous arts town located in West Texas, is home to many intriguing artistic endeavors; most notably a Prada store art installation. Filled with a 2005 collection of Prada purses and shoes, the store is sealed shut and sits freestanding on the side of the open highway. Using mules, cowboys, models, and my imagination I was able to bring this unique series to life."

Signed by Gray Malin, this aerial image of colorful kayaks on a beach comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of Australia's Bondi Beach comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of Australian lifeguards on surfboards comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this diptych of Camps Bay comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of Chicago's Oak Street Beach comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this triptych of Australia's Coogee Beach comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of Australia's Coogee Beach comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of Rio de Janeiro's Copacabana Beach comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of Rio de Janeiro's Copacabana Beach comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of a lone swimmer in The Hamptons comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of Rio de Janeiro's Ipanema Beach comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of swimmers in Hawaiian waters comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of Rio de Janeiro's Leblon Beach comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of a Hawaiian beach comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of a Rio de Janeiro beach comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

Signed by Gray Malin, this aerial image of a Barcelona beach comes from his "À la Plage" series. Shot from doorless helicopters, this series takes an overhead look at beach and pool scenes around the world, from France to Brazil. From a carefully calibrated distance, Malin says, "People and objects become patterns creating repetition, shape, and form. These photographs are a visual celebration of color, light, shape--and summer bliss." This work is unframed.

This work is part of Doggett’s "Omo: Expressions of a People" collection. Ethiopia’s sun-baked Omo Valley is home to a rich diversity of semi-nomadic groups. Different in many respects but linked by their shared migration paths, these groups lead a way of life both colorful and austere. This collection, which has been accepted into the Smithsonian African Art Museum’s Photographic Archives, transports viewers to the heart of this majestic environment and the distinctive rites, traditions, and beauty of its peoples.

This work is part of Doggett’s "Dunes: Landscapes Evolving" collection. Immense and majestic, the sand dunes of Namibia’s Sossusvlei desert are the largest in the world. Their huge expanses at times resemble a sea, abstract human forms, or even modern architecture. Doggett captured the grand shapes, endless lines, and subtle tonal gradients of this simple yet beautiful environment by both land and air to create these calming and dramatic images.

This work is part of Doggett’s "Dunes: Landscapes Evolving" collection. Immense and majestic, the sand dunes of Namibia’s Sossusvlei desert are the largest in the world. Their huge expanses at times resemble a sea, abstract human forms, or even modern architecture. Doggett captured the grand shapes, endless lines, and subtle tonal gradients of this simple yet beautiful environment by both land and air to create these calming and dramatic images.

This work is part of Drew Doggett’s "Omo: Expressions of a People" collection. Ethiopia’s sun-baked Omo Valley is home to a rich diversity of semi-nomadic groups. Different in many respects but linked by their shared migration paths, these groups lead a way of life both colorful and austere. This collection, which has been accepted into the Smithsonian African Art Museum’s Photographic Archives, transports viewers to the heart of this majestic environment and the distinctive rites, traditions, and beauty of its peoples.

This work is part of Doggett’s "Omo: Expressions of a People" collection. Ethiopia’s sun-baked Omo Valley is home to a rich diversity of semi-nomadic groups. Different in many respects but linked by their shared migration paths, these groups lead a way of life both colorful and austere. This collection, which has been accepted into the Smithsonian African Art Museum’s Photographic Archives, transports viewers to the heart of this majestic environment and the distinctive rites, traditions, and beauty of its peoples.

This work is part of Doggett’s "Omo: Expressions of a People" collection. Ethiopia’s sun-baked Omo Valley is home to a rich diversity of semi-nomadic groups. Different in many respects but linked by their shared migration paths, these groups lead a way of life both colorful and austere. This collection, which has been accepted into the Smithsonian African Art Museum’s Photographic Archives, transports viewers to the heart of this majestic environment and the distinctive rites, traditions, and beauty of its peoples.
This piece, number 2 in the "Omo" series, pairs beautifully with number 45 from the same collection.

This work is part of Doggett’s "Omo: Expressions of a People" collection. Ethiopia’s sun-baked Omo Valley is home to a rich diversity of semi-nomadic groups. Different in many respects but linked by their shared migration paths, these groups lead a way of life both colorful and austere. This collection, which has been accepted into the Smithsonian African Art Museum’s Photographic Archives, transports viewers to the heart of this majestic environment and the distinctive rites, traditions, and beauty of its peoples.

This work is part of Doggett’s "Omo: Expressions of a People" collection. Ethiopia’s sun-baked Omo Valley is home to a rich diversity of semi-nomadic groups. Different in many respects but linked by their shared migration paths, these groups lead a way of life both colorful and austere. This collection, which has been accepted into the Smithsonian African Art Museum’s Photographic Archives, transports viewers to the heart of this majestic environment and the distinctive rites, traditions, and beauty of its peoples.

This work is part of Doggett’s "Omo: Expressions of a People" collection. Ethiopia’s sun-baked Omo Valley is home to a rich diversity of semi-nomadic groups. Different in many respects but linked by their shared migration paths, these groups lead a way of life both colorful and austere. This collection, which has been accepted into the Smithsonian African Art Museum’s Photographic Archives, transports viewers to the heart of this majestic environment and the distinctive rites, traditions, and beauty of its peoples.

This work is part of Doggett’s "Dunes: Landscapes Evolving" collection. Immense and majestic, the sand dunes of Namibia’s Sossusvlei desert are the largest in the world. Their huge expanses at times resemble a sea, abstract human forms, or even modern architecture. Doggett captured the grand shapes, endless lines, and subtle tonal gradients of this simple yet beautiful environment by both land and air to create these calming and dramatic images.

This work is part of Doggett’s "Dunes: Landscapes Evolving" collection. Immense and majestic, the sand dunes of Namibia’s Sossusvlei desert are the largest in the world. Their huge expanses at times resemble a sea, abstract human forms, or even modern architecture. Doggett captured the grand shapes, endless lines, and subtle tonal gradients of this simple yet beautiful environment by both land and air to create these calming and dramatic images.
This piece, entitled "Desert Rising" pairs beautifully with Doggett's "Contour Study I."

This work is part of Doggett’s "Dunes: Landscapes Evolving" collection. Immense and majestic, the sand dunes of Namibia’s Sossusvlei desert are the largest in the world. Their huge expanses at times resemble a sea, abstract human forms, or even modern architecture. Doggett captured the grand shapes, endless lines, and subtle tonal gradients of this simple yet beautiful environment by both land and air to create these calming and dramatic images.

This work is part of Doggett's new "Dunes: Landscapes Evolving" collection, debuting exclusively on One Kings Lane. With endless lines, layers of shapes, and subtle tonal gradients, this series captures the complex effect of light on the immense sand dunes of Namibia. Devoid of context--plants, animals, people--these grand structures become studies in abstraction.

This work is part of Doggett’s "Sail: Majesty at Sea" fine-art collection, which takes an intimate look into the world of rare racing sailboats and their enduring beauty, power, and speed as they navigate the open ocean. Focusing on form and shape, the collection uncovers the timeless nature of these majestic boats while emphasizing the elegance and graphic qualities of each design. The resulting images have an undeniable aesthetic appeal and formalism that tell a story of grace and majesty.

This work is part of Doggett’s "Sail: Majesty at Sea" fine-art collection, which takes an intimate look into the world of rare racing sailboats and their enduring beauty, power, and speed as they navigate the open ocean. Focusing on form and shape, the collection uncovers the timeless nature of these majestic boats while emphasizing the elegance and graphic qualities of each design. The resulting images have an undeniable aesthetic appeal and formalism that tell a story of grace and majesty.

This work is part of Doggett’s "Sail: Majesty at Sea" fine-art collection, which takes an intimate look into the world of rare racing sailboats and their enduring beauty, power, and speed as they navigate the open ocean. Focusing on form and shape, the collection uncovers the timeless nature of these majestic boats while emphasizing the elegance and graphic qualities of each design. The resulting images have an undeniable aesthetic appeal and formalism that tell a story of grace and majesty.

This work is part of Doggett’s "Sail: Majesty at Sea" fine-art collection, which takes an intimate look into the world of rare racing sailboats and their enduring beauty, power, and speed as they navigate the open ocean. Focusing on form and shape, the collection uncovers the timeless nature of these majestic boats while emphasizing the elegance and graphic qualities of each design. The resulting images have an undeniable aesthetic appeal and formalism that tell a story of grace and majesty.

This work is part of Doggett’s "Sail: Majesty at Sea" fine-art collection, which takes an intimate look into the world of rare racing sailboats and their enduring beauty, power, and speed as they navigate the open ocean. Focusing on form and shape, the collection uncovers the timeless nature of these majestic boats while emphasizing the elegance and graphic qualities of each design. The resulting images have an undeniable aesthetic appeal and formalism that tell a story of grace and majesty.

This work is part of Doggett’s "Sail: Majesty at Sea" fine-art collection, which takes an intimate look into the world of rare racing sailboats and their enduring beauty, power, and speed as they navigate the open ocean. Focusing on form and shape, the collection uncovers the timeless nature of these majestic boats while emphasizing the elegance and graphic qualities of each design. The resulting images have an undeniable aesthetic appeal and formalism that tell a story of grace and majesty.

This work is part of Doggett’s "Sail: Majesty at Sea" fine-art collection, which takes an intimate look into the world of rare racing sailboats and their enduring beauty, power, and speed as they navigate the open ocean. Focusing on form and shape, the collection uncovers the timeless nature of these majestic boats while emphasizing the elegance and graphic qualities of each design. The resulting images have an undeniable aesthetic appeal and formalism that tell a story of grace and majesty.

This work is part of Doggett’s "Sail: Majesty at Sea" fine-art collection, which takes an intimate look into the world of rare racing sailboats and their enduring beauty, power, and speed as they navigate the open ocean. Focusing on form and shape, the collection uncovers the timeless nature of these majestic boats while emphasizing the elegance and graphic qualities of each design. The resulting images have an undeniable aesthetic appeal and formalism that tell a story of grace and majesty.

This work is part of Doggett’s "Sail: Majesty at Sea" fine-art collection, which takes an intimate look into the world of rare racing sailboats and their enduring beauty, power, and speed as they navigate the open ocean. Focusing on form and shape, the collection uncovers the timeless nature of these majestic boats while emphasizing the elegance and graphic qualities of each design. The resulting images have an undeniable aesthetic appeal and formalism that tell a story of grace and majesty.

This work is part of Doggett’s "Sail: Majesty at Sea" fine-art collection, which takes an intimate look into the world of rare racing sailboats and their enduring beauty, power, and speed as they navigate the open ocean. Focusing on form and shape, the collection uncovers the timeless nature of these majestic boats while emphasizing the elegance and graphic qualities of each design. The resulting images have an undeniable aesthetic appeal and formalism that tell a story of grace and majesty.

This breathtaking image is part of Drew Doggett’s "Ephemeral Shores" series. Two thousand years ago, an earthquake shifted part of an ancient Sitka spruce forest into the tidal zone along the Oregon coast. This series--Doggett's first in color--abstractly explores this fascinating locale. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed.

This breathtaking image is part of Drew Doggett’s "Ephemeral Shores" series. Two thousand years ago, an earthquake shifted part of an ancient Sitka spruce forest into the tidal zone along the Oregon coast. This series--Doggett's first in color--abstractly explores this fascinating locale. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed.

This breathtaking image is part of Drew Doggett’s "Ephemeral Shores" series. Two thousand years ago, an earthquake shifted part of an ancient Sitka spruce forest into the tidal zone along the Oregon coast. This series--Doggett's first in color--abstractly explores this fascinating locale. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed.

This breathtaking image is part of Drew Doggett’s "Ephemeral Shores" series. Two thousand years ago, an earthquake shifted part of an ancient Sitka spruce forest into the tidal zone along the Oregon coast. This series--Doggett's first in color--abstractly explores this fascinating locale. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed.

This breathtaking image is part of Drew Doggett’s "Ephemeral Shores" series. Two thousand years ago, an earthquake shifted part of an ancient Sitka spruce forest into the tidal zone along the Oregon coast. This series--Doggett's first in color--abstractly explores this fascinating locale. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed.

This breathtaking image is part of Drew Doggett’s "Ephemeral Shores" series. Two thousand years ago, an earthquake shifted part of an ancient Sitka spruce forest into the tidal zone along the Oregon coast. This series--Doggett's first in color--abstractly explores this fascinating locale. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed.

This image is part of Drew Doggett's series "In Transit: Portraits of the American West." Evoking a sense of nostalgia, the series aspires to positively connect viewers with the forgotten corners and roads of the American landscape. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, known for its superior image definition and density. Each print includes an embossed certificate of authenticity and is signed.

This image is part of Drew Doggett's series "In Transit: Portraits of the American West." Evoking a sense of nostalgia, the series aspires to positively connect viewers with the forgotten corners and roads of the American landscape. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, known for its superior image definition and density. Each print includes an embossed certificate of authenticity and is signed.

This image is part of Drew Doggett's series "In Transit: Portraits of the American West." Evoking a sense of nostalgia, the series aspires to positively connect viewers with the forgotten corners and roads of the American landscape. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, known for its superior image definition and density. Each print includes an embossed certificate of authenticity and is signed.

This image is part of Drew Doggett's series "In Transit: Portraits of the American West." Evoking a sense of nostalgia, the series aspires to positively connect viewers with the forgotten corners and roads of the American landscape. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, known for its superior image definition and density. Each print includes an embossed certificate of authenticity and is signed.

This image is part of Drew Doggett's series "In Transit: Portraits of the American West." Evoking a sense of nostalgia, the series aspires to positively connect viewers with the forgotten corners and roads of the American landscape. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, known for its superior image definition and density. Each print includes an embossed certificate of authenticity and is signed.

This image is part of Drew Doggett's series "In Transit: Portraits of the American West." Evoking a sense of nostalgia, the series aspires to positively connect viewers with the forgotten corners and roads of the American landscape. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, known for its superior image definition and density. Each print includes an embossed certificate of authenticity and is signed.

This image is part of Drew Doggett's series "In Transit: Portraits of the American West." Evoking a sense of nostalgia, the series aspires to positively connect viewers with the forgotten corners and roads of the American landscape. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, known for its superior image definition and density. Each print includes an embossed certificate of authenticity and is signed.

This image is part of Drew Doggett's series "In Transit: Portraits of the American West." Evoking a sense of nostalgia, the series aspires to positively connect viewers with the forgotten corners and roads of the American landscape. From a limited edition, this work is printed on Hahnemühle FineArt Baryta paper, known for its superior image definition and density. Each print includes an embossed certificate of authenticity and is signed.

This breathtaking image from Drew Doggett is part of his "Band of Rebels: White Horses of Camargue" series. The all-white horses of Camargue are most identifiable by their signature color and prominent features; they are believed to have descended from prehistoric horses dating back 17,000 years. For this series, Doggett documents the grace, power, and majesty of these wild animals against the monotone backdrop of their native habitat in Camargue, a remote part of Southern France. From a limited edition of 125, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered.

This stunning image from Drew Doggett is part of his "Band of Rebels: White Horses of Camargue" series. The all-white horses of Camargue are most identifiable by their signature color and prominent features; they are believed to have descended from prehistoric horses dating back 17,000 years. For this series, Doggett documents the grace, power, and majesty of these wild animals against the monotone backdrop of their native habitat in Camargue, a remote part of Southern France. From a limited edition of 125, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered.

This breathtaking close-up image from Drew Doggett is part of his "Band of Rebels: White Horses of Camargue" series. The all-white horses of Camargue are most identifiable by their signature color and prominent features; they are believed to have descended from prehistoric horses dating back 17,000 years. For this series, Doggett documents the grace, power, and majesty of these wild animals against the monotone backdrop of their native habitat in Camargue, a remote part of Southern France. From a limited edition of 125, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered.

This breathtaking image from Drew Doggett is part of his "Band of Rebels: White Horses of Camargue" series. The all-white horses of Camargue are most identifiable by their signature color and prominent features; they are believed to have descended from prehistoric horses dating back 17,000 years. For this series, Doggett documents the grace, power, and majesty of these wild animals against the monotone backdrop of their native habitat in Camargue, a remote part of Southern France. From a limited edition of 125, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered.

This breathtaking image from Drew Doggett is part of his "Band of Rebels: White Horses of Camargue" series. The all-white horses of Camargue are most identifiable by their signature color and prominent features; they are believed to have descended from prehistoric horses dating back 17,000 years. For this series, Doggett documents the grace, power, and majesty of these wild animals against the monotone backdrop of their native habitat in Camargue, a remote part of Southern France. From a limited edition of 125, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered.

This breathtaking image from Drew Doggett is part of his "Band of Rebels: White Horses of Camargue" series. The all-white horses of Camargue are most identifiable by their signature color and prominent features; they are believed to have descended from prehistoric horses dating back 17,000 years. For this series, Doggett documents the grace, power, and majesty of these wild animals against the monotone backdrop of their native habitat in Camargue, a remote part of Southern France. From a limited edition of 125, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered.

This breathtaking image from Drew Doggett is part of his "Band of Rebels: White Horses of Camargue" series. The all-white horses of Camargue are most identifiable by their signature color and prominent features; they are believed to have descended from prehistoric horses dating back 17,000 years. For this series, Doggett documents the grace, power, and majesty of these wild animals against the monotone backdrop of their native habitat in Camargue, a remote part of Southern France. From a limited edition of 125, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered.

This breathtaking close-up image from Drew Doggett is part of his "Band of Rebels: White Horses of Camargue" series. The all-white horses of Camargue are most identifiable by their signature color and prominent features; they are believed to have descended from prehistoric horses dating back 17,000 years. For this series, Doggett documents the grace, power, and majesty of these wild animals against the monotone backdrop of their native habitat in Camargue, a remote part of Southern France. From a limited edition of 125, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered.

This breathtaking close-up image from Drew Doggett is part of his "Band of Rebels: White Horses of Camargue" series. The all-white horses of Camargue are most identifiable by their signature color and prominent features; they are believed to have descended from prehistoric horses dating back 17,000 years. For this series, Doggett documents the grace, power, and majesty of these wild animals against the monotone backdrop of their native habitat in Camargue, a remote part of Southern France. From a limited edition of 125, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered.

This breathtaking close-up image from Drew Doggett is part of his "Band of Rebels: White Horses of Camargue" series. The all-white horses of Camargue are most identifiable by their signature color and prominent features; they are believed to have descended from prehistoric horses dating back 17,000 years. For this series, Doggett documents the grace, power, and majesty of these wild animals against the monotone backdrop of their native habitat in Camargue, a remote part of Southern France. From a limited edition of 125, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered.

This breathtaking image from Drew Doggett is part of his "Band of Rebels: White Horses of Camargue" series. The all-white horses of Camargue are most identifiable by their signature color and prominent features; they are believed to have descended from prehistoric horses dating back 17,000 years. For this series, Doggett documents the grace, power, and majesty of these wild animals against the monotone backdrop of their native habitat in Camargue, a remote part of Southern France. From a limited edition of 125, this work is printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered.